Sexism, Prejudice, and Racism in Lees To Kill A Mockingbird Essay

All through the book To Kill A Mockingbird Lee examines the impacts of obliviousness and the cost it takes on individuals, for example, Tom Robinson, Boo Radley, Scout herself, and some more. Through her instances of sexism, partiality, and bigotry, from the populist of neediness stricken Southerners, she shows the perusers the treachery of many. The survivors of numbness are the ‘mockingbirds’ of the story. A genuine case of this bad form is the preliminary of Tom Robinson, who is erroneously blamed for assaulting a white young lady and is seen as blameworthy. The book is from the perspective Scout, a youngster, who has a favorable position over most children because of her having a legal advisor as a father, to see the opposite side of the story. Her dad recounts to her in the story, â€Å"you never truly know a man until you remain from his point of view and stroll around in them.† (Lee 200). The most evident subject of separation in To Kill A Mockingbird is bigotry, anyway there is something other than that. Different sorts of segregation exist in To Kill A Mockingbird, for example, preference towards ladies, sexism. For instance, Scout says, â€Å"Aunt Alexandra was obsessive regarding the matter of my clothing. I couldn't in any way, shape or form would like to be a woman in the event that I wore breeches; when I said I could do nothing in a dress, she said I should do whatever required pants† (Lee 59). This piece of the book shows the perspectives on how a lady ought to be and the significance of the female voice. The Pulitzer prize winning novel, distributed in 1960, To Kill A Mockingbird is composed through the eyes of a little youngster and finishes her the experience of youth experiencing childhood in the supremacist, preference, and chauvinist south during the extraordinary misery. This fills in as a stage for the direction of her dad, who she turns upward as well, to battle the judgment of oth... ...14 Jan. 2014. Record URL http://go.galegroup.com/ps/i.do?id=GALE%7CA149353018&v=2.1&u=avlr&it=r&p=LitRG&sw=w&asid=419f38ec5c9b18412ef244089f43a576 Flynt, Wayne. The suffering inheritance of To Kill a Mockingbird: all inclusive qualities: 50 years after its first distribution, Harper Lee's just novel keeps on molding character and contact experience the world over. Alabama Heritage 97 (2010): 6+. Writing Resources from Gale. Web. 14 Jan. 2014. Report URL http://go.galegroup.com/ps/i.do?id=GALE%7CA233291611&v=2.1&u=avlr&it=r&p=LitRG&sw=w&asid=3ffaf2f71f7f67751e3729418514353a Metress, Christopher. 'To Kill a Mockingbird': Threatening Boundaries. The Mississippi Quarterly 48.2 (1995): 397+. Writing Resources from Gale. Web. 14 Jan. 2014. Report URL http://go.galegroup.com/ps/i.do?id=GALE%7CA17534671&v=2.1&u=avlr&it=r&p=LitRG&sw=w&asid=a34c43e478e4bcd8fc6f50ed438b281d

Goal statement

I emphatically accept that scholastics ought to consistently bolster the fantasies that I convey. What's more, this is the fundamental motivation behind why I picked task MBA. I felt this significant as the board is a field which we should be prepared in its correct way and at the best spot. Being at the opportune spot, I trust I can get the best preparing and I can build up my aptitudes. I trust it will assist me with investigating the best in me. Post MBA I try to be a Marketing director in a MNC.I might want to work with top media firms like Fox News, BBC, CNN or MTV. Showcasing and Human asset the executives assumes a significant job in both the achievement ofa firm And additionally its ruin. Being an applicant of it, I had consistently attempted to create characteristics which should encourage it. Undivided attention . co-ordinating group ,inspiration, dependable counselor are a few characteristics which I found in me which could oblige my ambition.To work with media includes a great deal of ressure from all sides of the general public. Being an expressions sweetheart and from previous encounters of theater and short film industry I like to oversee and organize programs at media firms. Aside from the scholastics and delicate abilities I learn, I accept qualities and morals have a significant task to carry out in one's life. To win great qualities, to think great and do great, I feel the environmental factors where I study and where I live will show me and help me. Objective proclamation By kv_ashith

Crossing the West and Unite Essay

Is Pan-Africanism just a philosophy of convictions that has a place with a past?â Historically it very well may be followed that Africans in their nation of cause have an extraordinary human progress however why on the planet would this incredible individuals need to walk a campaign like one of its forerunner’s Du Bois when he said that: â€Å"The Last Battle of the West† in freedom of the Africans.â This was reechoed to the world when racial belief systems become serious in the West, in Latin America, and under the British Colony.  â â â â â â â â â â In the paper composed by Araia it was referenced in detail how Pan-africanism followed since the beginning how the Africans were separated from repatriation towards the development of the Diaspora.â Some of them are likewise the dark slaves who are dealt with well and given opportunity by a portion of their masters.â This devotion showed the Diaspora to adjust the manners in which their lords educated them. The Africans and Diaspora encountered a similar separation and both have acclimated to their present environs.â  It was likewise demonstrated that one shading is certifiably not a proof of solidarity since man looks to have changed clichã ©s or the need to have a place with a certain group.â at times, reception to a specific laws and culture causes an individual to get irritated by two characters particularly if the one being acquainted is actually restricted with their tradition.â And with that, rather than unification an individual has the blame of having tainted ones culture or we may state to encounter a culture stun.  â â â â â â â â â â That stun partitions, and Pan-African associations have made a trip far to rejoin its brood. An issue that goes with character emergencies is repatriation which has terrible and great outcomes like establishing its way for another dark republic in the western hemisphere.â That beginnings encouraged certainty to the Diaspora and to the Africans in the continent.â These are some way or another, opportune that the Africans disperse the world like somebody says that from malicious there is a wealth of good.â In this situation, we can presume that those early Africans who crossed the landmass have battled, however some may free their bequest marks, many have clutch his actual personality.  â â â â â â â â â â In one of the meetings, African’s reverberated the should be regarded like every single other human as Malcolm X expressed that â€Å"†¦, with the goal that Africa also gets regarded as other colossal landmasses are regarded, at that point, any place individuals of African cause, African legacy or African blood go, they will be regarded †yet just when and in light of the fact that they have something a lot bigger that appears as though them behind them (GAraia).†Ã‚ His words clarified the effect of Pan-Africanism belief system towards the African experience and the Black Diaspora. To him, the verification of a decent race is the genuine models that will be abandoned by that shading and ideology.  Malcolm X words intend to state, the requirement for the Africans to show to the world that the race originated from a decent and drop stock while clarifying that regard conceives respect.â But as a matter of first importance regard for oneself should start things out.  â â â â â â â â â â The rise of the human instinct depends on its pride, and therefore it is important to think back to where this race belongs.â It is essential to perceive how the more established ones have battled and how could they faced decisively the conflict of scanning for one’s identity.â Thus when it is found, is it an encounter of neither disappointment nor courage.â The fundamental piece of this spirit looking is whether it is acknowledged or not however the most significant thing is to pick up certainty and fix whatever harm is finished.  â â â â â â â â â â The reformist Du Boisian skillet Africanism had more impact and ideological effect on Africans in the Continent during the early piece of reunification yet on the later part the transoceanic Pan-Africanism concentrated on patriot belief systems through Nkrumah.â  â â â However, the vision of Garvey got significant until today since it has advanced solidarity and prosperity among Africans, reconsideration of open strategy against prejudice and different types of separation which has come about to security and equity, and arrangement of sway and regard towards individual culture.â Identity emergency was changed into acknowledgment in demonstrate hatred for that perspectives can not generally be the equivalent.  â â â â â â â â â â The Brazzaville and Casablanca could have been filled by the purported personality emergency too which could have gotten down to the marrow of the new ages of the Africans in the nineteenth Century. The previous against the heading of a communist attitude and different gets scared of asking or having reliance on the Western aid.â Those are two contradicting ideological contrasts that have influenced the political and monetary viewpoints of that time.  â â â â â â â â â â However, over the span of time various Africans bunches figured out how to concentrate on their likenesses to overcome any barrier that has existed because of different groupings.â This gathering of the psyches finished in the development of the African Unity which drove by Nkrumah made the UNIA affected by the way of thinking of Marcus Garvey to the Negritude of Cesaire and Senghor.â This development prompted the inquiry of the African personality till today is known as African Union (AU) which was recently called Organization of African Unity (OAU).  Today, we may state that the Pan-Africanism development has developed and had the option to deal with whatever challenges they would get entrapped inside their individual standards and individual circumstances.â Through feasible worldwide interchanges brought by new innovation, an association was worked among Africa and its Diasporas which fashion Pan-African solidarity rising above every single useless polarity. Today’s pertinence of the Pan-African  â â â â â â â â â â Pan-Africanism will remain the instrument of cultivating solidarity and strengthening as long as there is underestimated Africans and Diaspora that has been constantly developing in numbers.â It will be the voice to call and join together, and to remind any place this hued men are, telling every one is his brother’s attendant.  â â â â â â â â â â With the developing scene initiating towards globalization, there is an extraordinary requirement for Pan-Africanism to be a state driven undertaking in the liberation of its incredible job in the 21st Century. There will be new difficulties confronting the Africa and the Diaspora notwithstanding of its verifiable accomplishments of decolonization and common rights.â The philosophy of aggregate strengthening can give an incredible jump to Pan-African states and social orders who are simply pawns on the planet arena.â According to Nkrumah there is a need to pull all assets like the socio-social, eco-political perspectives and segment capitals to achieve the Pan-African vision of the financial improvement of all its common social orders to be specific the Africans and the Diasporas.  â â â â â â â â â â It is exceptionally striking to realize that African vagrants (Diaspora) today are a lot of instructed when contrasted with individuals of its country’s origin.â Making the mind channel issue serious in Africa yet these global transients who are gifted are resources for the creating nations as far as settlements and cerebrum mobility.â Those who moved towards the north are a lot of taught anyway they just involve the minority.â Majority moved to other African countries.â as such, the Diaspora speaks to a developing strong power for the improvement of Pan-Africanism today.â The African Diasporas in view of their double characters obtained from their host nations turned out to be increasingly adaptable and simultaneously furnished with gigantic social capital that could shield the eventual fate of Africa.  â â â â â â â â â â However, the administration just perspectives the Diasporas as a monetary asset or by way a dollar settlement arm.â They don't just surpass remote speculations money capital yet with their city and social mindfulness could get to worldwide markets, make an increasingly overwhelming majority rules system that could reinforce a general public that supports development of new charitable cultures.â Diasporas are viewed as individuals with various personalities yet with duties immovably attached to their nation of origin.â  â â â â â â â â â â The new age of the African Diasporas will most likely overcame any issues of the Atlantic and Africa and the African American made by partialities and the bigot media.â One can apparent today the developing mindfulness in the Pan-American awareness for example the decisiveness of the blacks in Brazil, the insistence of Afrocentric culture in the US, and Afropolitan characters of the diasporas in European Countries.â They are aggregate battles that show the world that these African transients are recreating their personalities by renegotiating their place in any place have social orders they have a place which is in harmonious that they will accomplish full equitable citizenship and status, a fantasy that has been hotly anticipated by their friends and fore guardians.  â â â â â â â â â â In the since quite a while ago run, this nearness of the Diaspora will be felt by the entire world and so as to encourage their quality, African strategy creators and Pan-Africanism should take the Diaspora choices seriously.â This requires systems that encourage mind versatility, arrangement of various information, and the safeguard to Africa which have been criticized in Euro-America.  â â â â â â â â â â AU with its 20 chambers, advanced social and social settings towards its municipal associations so as to bring together and inte

Is Modern Fashion Enslaving or Liberating Dissertation

Is Modern Fashion Enslaving or Liberating - Dissertation Example The paper tells that culture has assumed a huge job in the making of style over the ages in all pieces of the world. Regardless of whether it is Victorian body-misshaping bodices, Chinese foot-official, inborn teeth honing or neck extending or present day leg-breaking stilettos, all these are normally unequivocally identified with culture however as a rule are joined by huge torment all for the sake of style or, considerably more, for the sake of excellence. Ladies experience the ill effects of torment, distress and medical issues to feel wonderful, acknowledged or trendy. In such manner, it has been correct said by Jane Ussher that ‘Beauty is a pitiless mistress’, notwithstanding the way that a lot of penance is required to seem stylish. The world has been portrayed with the death of style patterns from mother to little girl, sister to sister or companion to companion. It is additionally obvious that all the negative results and reactions of seeking after magnificence a nd style present just one side of the extraordinary contest on whether design is for ladies or against them. Styles are additionally presented through crusades by design houses so as to advance design and to make individuals reliant on it. Exposure and media battles legitimately address people’s yearnings by partner design items and clothing with big names through style programs, promoting efforts and supported projects. In normal, there have been symbols and VIPs and individuals admire them in copying them. Design is presented through them and wearing stylish and chic dress has consistently been the hip thing at some random time in some random age. Present day individuals feel disassociated with the world on the off chance that they don't show a similar inclusion with style as others are doing, particularly in a serious existence where everything matters that can give an edge over others. Models strolling along the catwalk feature new plans and designs that are received by s tyle houses for large scale manufacturing to be devoured by the majority in meeting with the most stylish trend patterns. It very well may be said that the world also is much the same as a design show whereby style alludes to winning styles, uses and customs in the bigger point of view. Truth be told, the style area is oppressed in being required to give individuals the most recent plans and patterns, which thusly lead to individuals being subjugated in light of the fact that they need to get together with the opposition to look in vogue, stylish and savvy. Subjugation in this setting suggests that individuals are actually compelled to embrace what has all the earmarks of being in design. Chinese culture is normal for urging little youngsters to have

Two households, totally unalike in dignity

“Two households, totally unalike in dignity…” .fluid-width-video-wrapper iframe, .fluid-width-video-wrapper object, .fluid-width-video-wrapper embed { bottom: 0px !important;h top: 0px !important; left: auto !important; position: relative; padding: 0 !important; } .fluid-width-video-wrapper { height: auto !important; width: auto !important; bottom: 0px !important; top: 0px !important; left: auto !important; position: relative; padding: 0 !important; }   Juliet Capulet, portrayed by Chelsea R. ‘15 and photographed by Emily K.-L. ‘16. About a week ago I sat down with one my best friends Chelsea R. ‘15 to talk about one of her favorite classes, Writing for Social Media, and the universe it comes from. I deeply respect Chelsea for building a career out of her true passions, even though the road hasn’t been paved, and I wish I’d known older her when I was a younger me. I’m excited to be able to share some of her insights with you.  I also hope her online work can be a helpful distraction for those of you who are waiting on more college admissions decisions (and/or maybe happen to like Sherlock). Lydia: Okay. Who are you and what are you doing in my house? Chelsea: Um, well, I’m Chelsea. I’m a junior in course 21E. 21E is something that not a lot of people know exists. 21E (Humanities and Engineering) and 21S (Humanities and Science) are the joint majors; they’re the majors where you squish humanities and science disciplines together. My joint major is between comparative media studies (CMS) and course 6, computer science. I am in your house because you, uh, invited me here. #RtweetsJ L: Tell me about your Writing for Social Media class. C: Writing for Social Media (CMS.613/21W.751) isâ€"I don’t know where else you could find a class like it. It’s about social media strategy as well as producing stuff for social mediaâ€"and “stuff” is all kinds of stuff. The first portion of the class focused on projecting an image out into the Internet. The focus was looking at how other people personalized their social media images and how brands did it. Then we had to create our own goals and tweet at least five times a day to project some kind of image. I made one focusing more on my goals of eating healthy and keeping fit during a stressful semester. We’re all figuring out how to project a consistent image online. The posting has to be regular, which is really important when it comes to social media. The second phase of the class is adaptive Internet stuff. We are doing group projects that adapt some kind ofâ€"I think all three of the groups are adapting some kind of extant thing and making it into a Twitter, uh, thing. One group is doing the first season of Battlestar Gallactica. The characters of Battlestar Gallactica are going to be tweeting as if they are going through the first season of Battlestar Gallacticaâ€"but with Twitters. It’ll sound very, very familiar if you’ve ever heard of fanfiction. In a way, it is fanfiction, but there are constraints that Twitter offers as a medium for storytelling that make it a very different environment. And then in the third phase we get to do whatever kind of creative project we want butâ€"againâ€"Twitter. Right now we’re all hard at work on our adaptive projects. Those will post throughout March and through the first week of April. L: Tell me about your particular adaptation and the creative work that you are putting into it. C: It’s a group project, so it’s me and it’s two other students, Gustavo and Taylor. And they’re both wonderful. We decided to adapt Romeo and Juliet for Twitter. Immediately you go, “Oh, Romeo and Juliet, everyone knows that story!” But there is a reason it’s still around and we’re still talking about it, and we continue to study it in school. We are bringing it to Twitter. We tossed around a couple of ideas. There’s one kind of Twitter adaptation that was exemplified by, like, Mad Men roleplayers on Twitter. Mad Men is set in the sixties, and in the sixties you don’t have Twitter. That doesn’t really matter! They’re tweeting, from the sixties. We considered doing that with Romeo and Juliet but then we decided to sort of update it instead. Of course there have been updates of Romeo and Juliet. We wanted to do something different, so we changed the conflict around a little bit. And the way we’re going to tweetâ€"the way we’re going to treatâ€"L: [laughter]â€"C: their Twitters is as if they’re actual people going about their actual lives. They tweet about their days and they tweet about what’s happening to them and if some super-dramatic thing is happening in the plot they will not be online to tweet about it. Because that’s not how real life necessarily works. (Um, it does work that way for some people.) The fight scene between Tybalt and Mercutio? If Romeo’s trying to get in the middle of them to stop them from fighting, he’s not going to be tweeting about itâ€"“OMG guys, cut it out!”â€"he’s going to be conspicuously absent for a period of a couple of hours. If he is being accused of murder he is going t o be conspicuously absent for a very long time because he does not want anyone to find him. One of the questions that we sat down and we asked ourselves was, why Twitter? Of course the obvious answer is because we have to use Twitter for this project. But there should be another reason behind doing any kind of storytelling on any social media platform. Why this platform? What affordances does this platform have and what limitations does it have that make it ideal for telling this story this way? We wanted to get the Internet involved. The thing about Romeo and Juliet is obviously it’s a very secret relationship: it’s kept from parents, it’s kept from the eyes of authority. Where do teenagers keep things from other people? The Internet, right? So that’s the direction we decided to go. Of course we also made a few other changes. We aged up Juliet. She is now a high school senior. Applying to college! Well, she’s waiting to hear back from colleges. Her parents want her to go abroad to the University of Paris. She’s not sure about it. But she is actually growing up in a college town, fair Verona City, USA. The university in the town is Montague State University. They have a lot of frats and rowdy frat boys. One of the rowdy frat boys is Romeo. If these two people met in real lifeâ€"first of all, they wouldn’t. Juliet’s father is the mayor and he does not want her hanging around these college boys. He doesn’t like them very much. They cause a lot of public disturbances. L:  As college boys do.  C: As college boys do. But online, if they find each other and start talking, there are no limitationsespecially if their names aren’t on their profiles. Well, their last names. And their fraternity affiliations. You understand. There’s nothing to get in the way of that relationship blossoming online, whereas real life factors would have kept them from ever even meeting. L: I think it’s beautiful that in the same way that Twitter facilitates the relationship of Romeo and Juliet in this adaptation, Twitter and social media facilitate the storytelling and the connection between fans and these stories. C: The thing about telling a story on any form of social media is that it allows the potential for interactivity. The characters in Romeo and Juliet in this adaptation are not just going to be following each other. They’re going to be citizens of the world. If people talk to them, they might talk back. No promises, but it’s possible! You know, um, Mercutio, who is, a crazy character, is gonna follow, like, Kim Kardashianâ€"L: [laughter]â€"C: and Miley Cyrus, you know. L: I follow Miley Cyrus and Kim Kardashian. C: You follow Miley Cyrus and Kim Kardashian. Um. His profile is really funny, by the way. His, um, profile picture is a little bit inappropriate. His display name is Mercuti-YOOOO. L: [laughter]  C: So, uh, definitely check that one out. That is probably my favorite of the bunch. And Taylor, who’s primarily responsible for writing tweets for him, is very funny. Not only can people talk to the characters, we as writers have to dig into what they do on a day to day basis because people don’t only tweet when dramatic things are happening to them. Hopefully that should flesh out the characters and make them more relatable to a wider audience. CMS L: How did you arrive at CMS? How did you find yourself gravitating toward it? C: CMS as a department has an incredible amount of variance in it. A lot of people gravitate towards CMS because there’s a lot of things in there about video gamesâ€"writing for video games, making video games. What I’m interested in is fan cultures, Internet studies, and things like that: writing for the Internet. It’s definitely a department that I recommend people check out. People aren’t necessary aware of their options when it comes to picking a good concentration or even a minor. There’s a lot of opportunity at MIT to open up and explore things you haven’t explored yet. I think CMS is a great department for that. I wish I’d realized it existed when I was a freshman. When I came to MIT I was determined to be course 6, which was so silly in retrospect because I always wanted to write and I kind of wanted to be a novelist. But I was a very practical 18-year-old and I also wanted to make sure I could feed myself. I came to MIT with the intention of majoring in in 6-3, graduating, finding a programming job somewhere. And coding during the day and writing at night and being able to feed myself and never having to really worry about that. L:  Still kind of my plan.  C: Yeah. L: [laughter] C: The thing that I realized as I took my GIRs my freshman year and I took 6.01 (Introduction to Electrical Engineering and Computer Science I) was I couldn’t really envision a future for myself that was structured like that. I looked at the writing department and, you know, the writing department here is stellar, but there was still a part of me that was, like, “Oh, don’t you want to make sure that you can eat?” Of course there are plenty of people who graduate with creative writing degrees who can feed themselves, so I started to look at the other things that MIT had to offer and I came across comparative media studies and the class list and the major structure. I was looking at the classes, and I just said, “Wow, this is everything I like to do for fun! but as a major! I can study the things I like to do for fun!” Something that I would recommend to everyone is to pursue something that you really love, because it will make your life so much more meaningful. Internships L: Could you tell me about how this connects to some of the work you’ve been doing outside of your classes? C: Since it’s a relatively new thing that I’m pursuing, I’ve only done a couple of internships. I did two internships in LA this summer. One for a PR company, one for a production company, both in their digital departments. I came into that fresh off of taking Fans and Fan Cultures (CMS.621/CMS.821), which is another excellent CMS class that I really recommend. L: What did you do there? C: I worked a little bit on transmedia stuff for the production company. Transmedia is telling stories across different platforms. I ended up doing tie-in stuff for one of the series they were helping produce. For the PR company I did a lot involving developing digital strategies for the companys clients. They were two very different experiences; they were very different work environments. But I learned a lot there, I made a lot of connections, and it actually led directly to the internship I did last semester and which I’m continuing to do this semester. It was different from what my course 6 friends did over the summer. Most of them were at, you knowâ€"one of my friends was up in Seattle at Microsoft, and living in a house and getting paid an exorbitant amount of money working at Microsoft and I was sleeping on an air mattress on my cousin’s floor in her one-bedroom apartment, in Hollywood. Um, andâ€"L:  Sounds so romantic.â€"C: living off of my savingsâ€"so romanticâ€"and money I’d won in a writing contest at MIT the previous semester. Uh, super romantic. Definitely. I feel like it’s one of those typical East Coast girl goes to Hollywood, tries to make it experiences except I wasn’t trying to become an actress. L: Could you tell me a little about the internship that you’re continuing this semester? C: I’m working for this company called The Alchemists. They work on transmedia production, transmedia strategy. They’ve done stuff for Coke and they did a series of commercials for Marvel Comics. They’re currently working on a Hulu exclusive series called East Los High about teenagers in LA. I’m mostly helping them with their social media outreach right now. Their company’s all about expanding properties onto other platforms and they’re trying to get more of themselves online, too. I’m kind of the Tumblr intern. Tumblr is the platform I probably use the most. (Or it was, at least until I had to start using Twitter at least five times a day for Writing for Social Media this semester.) I’ve been writing, I’ve been helping them update their Tumblr, I’ve been writing blog posts for the Tumblr, generally about fans, fan cultures, social media, and how the powers that beâ€"as we call themâ€"interact with social media. I did one last week about the show Hannibal, and how Hannibal’s Tumblr is just so on point. It’s exciting. I’m learning a lot. And it’s generally pretty manageable with all of my other responsibilities this semester. The Field L: Could you tell me about storytelling through social media and how it’s changed fandom? C: Fans have been telling stories online for a very long time. I’d say even some of your casual readers probably know about FanFiction.netâ€"that would sound familiar. Archive of Our Own is the current, uh, quality archive out there. Roleplaying has also always been a big thing. Forums, LiveJournal, uh, and you could call those I guess media facilitated storylines because I think of roleplaying as interactive writing that’s kind of more on the spot. I run a blog with a co-author, Sethâ€"who is amazingâ€"that is a work of fanfiction but it’s interactive because it’s on Tumblr and the plot is moved forward by question answering. So people submit questions to the characters, the characters will answer, and sometimes they’ll just answer in a way that’s funny or meaningful, and sometimes they’ll say something and it opens up a whole new door into a plotline. And it’s awesome! When you’re chronicling characters’ daily lives it’s a lot easier to fill in the gaps. On a TV show that’s a crime procedural you mostly only see crime procedural stuff. You’ll sometimes get a few minutes of character backstory and looks into what they do every day but not much. Now if the show completely changed course and became, you know, focused on the domestic lives of characters, obviously that would not be what that show would want to do. Through social media it’s possible to get more of a look into the gaps that the original story doesn’t fill in. Fans do this, but like, official powers can also do this. Like, it’sâ€"it’s very effective. It makes your characters seem like they’re actual people living in the modern world. I know that for East Los High one of the characters had a vlog and one of the characters who cooked had their recipes posted online. That makes the world seem real: by bringing it onto the Internet, or onto whatever other platform, youre forced to expand the world. And it forces you to expand your characters, too. L: Could you tell me about some of the successful uses of social media by companies that do storytelling? C:  Go look at The Alchemists. They’re awesome. Also, one of the primary examples of this is of course The Lizzie Bennet Diaries. Are you familiar with The Lizzie Bennet Diaries? L:  No.  C: Okay, so The Lizzie Bennet Diaries is a little bitâ€"we drew a little bit of inspiration from this for our Romeo and Juliet Twitter project. It’s an updating and an adaptation of Pride and Prejudice. The main medium through which the story was communicated was YouTube vlogs. Lizzie Bennet had a YouTube channel, and she would do vlogs, and she would invite other people from her life to come on to the vlogs, and, you know, updated versions of the events from Pride and Prejudice started happening. You could just follow the YouTube account and it would totally be fine. You would get a complete story. If you wanted a more complete story, all of the characters had social media accounts. Some of them had Twitters, some of them had Tumblrs, and they interacted with each other. So it wasn’t just the vlogs, which I believe came out twice weekly, that told the story. You could watch the vlogs and you would get a complete story. But for a more complete story you could go and read Elizabeth Bennet’s Twitter. You know? Casual. There are some other properties that have successfully expanded into social media, not from a storytelling perspective but from a fan galvanization perspective. Whether or not you’re interested in telling stories online, I think everybody should be getting on that train. Online presences are so important, especially when you’re trying to reach the key demographic that most movies and TV shows want to reach (young people). The traditional television format and traditional movies, the way we’re used to them, is not always the way that it’s going to be. More and more things are ending up online and things that would have been indie are ending up with wider audiences. As things get progressively disseminated, it’s going to be increasingly important to draw people in. Again, online storytelling is a really good way to do this. It’s something that makes you stand out to fans. I think that more and more storytelling is going to move online. Not necessarily through social media but, you already know, binge watching through Netflix is a thing. Amazon Prime and Netflix and Hulu and all their exclusive online series. I think they’re only the beginning of the trend. Life Plans L: Tell me about your dreams and plans for the future. C: They’re a little undecided as of yet. I have an idea, and the idea is that I really want to go into this stuff. I’m passionate about storytelling, I’m passionate about the digital, and so digital storytelling is really about the best of both worlds. I do want to tell my own stories. I love writing. I would love to write a novel. L: It really feels like you’ve already written several. C: Doesn’t it? It does to me, a little bit. The answer is yes. I feel like they wouldn’t be considered novels because a lot of them are either published online or they’re derivative worksâ€"fanfictionâ€"or they’re both. I undertook an extremely expansive project with Seth to fill in the gaps of the TV show Sherlock. That was the question and answer blog that I mentioned. People would come in and they would ask questions to Watson and Holmes, and I would respond as Watson and Seth would respond as Holmes and we would shoot the response out there into the world. And sometimes if that wasn’t enough to explain what was going on with them we would write thousands and thousands and thousands of words to fill in the scenes.   L: The blog’s actually gotten very popular, hasn’t it? C: Yeah, the blog has a lot of followers. I don’t want to brag. L: You can brag. It’s okay. C: The blog hasâ€"we hit 14,000 a few days ago. It’s really exciting. It’s sad because I’m also having a little bit of trouble finding time to update regularly with my crazy semester schedule but we’re working on it still. Because the new season of Sherlock came out, that means there is new stuff to exploreâ€"L:  New gaps to fill in. So many gaps!â€"C: Let’s not get into that! But we did give the entire second season of Sherlock this treatment. And I don’t even know how many thousands of words we wrote in total. We had probably something like 800 questions and answers, along with a number of prose interludes, and the prose interludes could run thousands of words long. There were 16 what we would call interludes. There were four or five flashbacks, which could be about the same length. There were several transcripts from telephone conversations. All this, um, it’s basically an insane amount of writing. And it was collaborative between Seth and me, and also between us and the fans. Because the people who read the blog submit questionsâ€"you know, one of them submitted a question from a character we had not even considered incorporating into the story but who became a major player just because someone sent an ask. L: You don’t usually have the power to change the story as you’re reading it. That’s really special. C: I think it’s a way to give back to the people who read. Because they can make a huge difference. I think that a lot of successful people have already sort of figured that out. You know, be good to your fans and they’ll be good to you. But this takes it to a whole new level. It’s okay to not have 300% control. You can still have a vision. You can still follow that vision. But your vision always has room for alterations. And improvisation. And that’s what makes it fun. That’s what we’re hoping to do with the Romeo and Juliet project. We do have a general outline for how the events are going to go and be adapted. But if someone starts talking to Juliet about physics class, you know, they can talk to Juliet about physics class. She’s in AP Physics. L:  Can you help me with my physics homework, Juliet?  C: Yeah. You know, and then Juliet can talk to someone about Gauss’s Law. It could happen! It’s not bound. It’s a flexible storytelling environment. You guys should all read! You should all read Romeo and Juliet. You know, follow the blog! Read the story. If it’s not your thing, just drop the story. If it is your thing, you know, ask Juliet about your physics homework. Tell Romeo he’s being silly mooning over a girl he hasn’t met in real life. Uh. Recommend some music to Mercutio. Send him pictures of big booties. Don’tâ€"don’t publish that. He likes the booty. I mean, but they’reâ€"they’re here to be followed but they’re also here to be talked to. And you never know! They might reply. Follow and interact with the characters’ Twitters here: @swansongjuliet Juliet: living in ruins of a palace within my dreams @dontcallmenurse Rachel Nurse: my name is rachel nurse and im not a nurse. if you need a nurse dont even talk to me. call an ambulance. @RomeoDreamsBig Romeo: A lover, not a fighter. @merctwerk Mercuti-YOOOO: Mu Omicron Nu brother. Only twerkin sometimes but always stealin yo girl. @BenVolioIV Benjamin Volio IV: The only sane Mu Omicron Nu brother you will ever meet. @MayorCapulet Mayor Capulet: The official Twitter of Peter Capulet, Mayor of Verona City. @MontagueStateU Montague State: The official Twitter of Montague State University. Alternatively, follow the syndicated list here  or a daily digest of tweets on the Tumblr. Have fun!

Amjed Osman 2016 Best and Brightest

Amjed Osman: 2016 Best and Brightest by: Jeff Schmitt on December 07, 2015 | 0 Comments Comments 624 Views December 7, 2015Amjed OsmanThe Ohio State University, Fisher College of BusinessHometown: Columbus, Ohio; Ha’il, Saudi ArabiaHigh School: Northland High SchoolMajor: FinanceFavorite Business Courses: Corporate Finance IIIExtracurricular Activities, Community Work and Leadership Roles During College: Involvement: Fisher Undergraduate Peer AdvisorNational Association of Black Accountants (President ’13-’14, Secretary ’12-13, Philanthropy Chair ’15-’16)Alpha Kappa Psi Professional Business Fraternity (Alumni Relations Committee ’14-’15, Manager of Accountability ’13-’14)Bell National Resource Center on the African American MaleGates Millennium Scholars Association funded by the Bill Melinda Gates Foundation (Community Service Committee)Awards: Outstanding African American Male (Office of Diversity and Inclu sion Student Services)Recipient of the Bucking the Trend Scholarship (Office of Diversity and Inclusion Student Services)Outstanding Fisher Student Organization President (Office of Diversity and Inclusion Student Services)Where have you interned during your college career?  Abbott Laboratories (Columbus, OH, Financial Planning Analysis Intern)Ernst Young LLP FSO Advisory (New York City, Business Advisor Program Intern)Describe your dream job: My dream job is one where I am valued for what I bring to the table and what I am capable of producing when given a task and autonomy; a job where I am trusted with every aspect and asked to produce a high quality product.What did you enjoy most about majoring in a business-related field? I enjoyed being pushed to work in groups and think big picture through case studies that were directly related to an event occurring in the business world. Having the opportunity to be an advisor to businesses in case studies, analyzing whether or not a c ompany should execute a merger or take on a project, or even listening to people in the finance industry talk about how they dealt with the financial crisis and why it happened were all extremely important and enjoyable parts of my business education. I also enjoyed being around people with other business majors who contributed different thoughts and ideas to our case studies or class discussions. Their perspectives helped shape my views and broadened my perspective of what a successful and efficient business looks like.Where would you like to work after graduation?  Ernst Young LLP FSO Advisory Business Advisor ProgramWhat are your long-term professional goals? I would like to see myself at an executive level of an organization (possibly my own), where I am able to focus on creating value for that firm while focusing my attention on its recruitment pipeline and efforts to make the firm as diverse as possible. Also, I would like to start a non-profit organization (similar to the Gates Millennium Foundation and Management Leadership for Tomorrow) dedicated to providing scholarships for students while helping them navigate college and finding a career so that they can become business leaders and continue the pipeline for students to follow. Finally, another goal is to create financial literacy workshops that I can take to Sudan (my parents’ birth country) and other countries where I will educate adults about money management.â€Å"I knew I wanted to major in business when†¦my father told me that he did not know anything about retirement and that no one in his family or my mother’s family knew how to invest or manage their own money.†Ã¢â‚¬Å"If I didn’t major in business, I would be†¦learning business skills on my own and finding ways to get connected with people who have the knowledge to be successful in the business world.†What was the happiest moment of your life? The happiest moment of my life was when I found ou t that I had received the Bill Melinda Gates Foundation’s Gates Millennium Scholarship, which guaranteed that whatever institution I was accepted to and chose to attend, I would not have to worry about paying for it.Which academic or personal achievement are you most proud of? After graduation this spring, I will be the first in my family to attend college. This is an achievement that will set a new standard for my family and one that I will be tremendously proud of. Right after graduation, I will also be proud of myself for accepting a full time offer at Ernst Young in New York City. It has been a life-long dream of mine to live in New York City and work for an organization which I love.What animal would you choose to represent your professional brand? A lion because it represents my ability to care and provide for my family while maintaining patience and remaining focused on the goals ahead of me. A lion is more than a ferocious animal. It is a protector, a provider, and an animal that exudes confidence and leadership for those around it.Who would you most want to thank for your success? I thank my mother for her sacrifice and for her constant prayer. Without her guidance and her dedication to my well-being and success, I can honestly say that I would be lost. She and my father have truly given up everything when they moved to the U.S. to provide my brothers and I with an opportunity for a better education.Fun fact about yourself: I love to take pictures and am teaching myself about photography.Favorite book: And Still We Rise by Miles CorwinFavorite movie: LimitlessFavorite musical performer: Michael JacksonFavorite vacation spot: Nassau, BahamasWhat are your hobbies? Photography, basketball, traveling, public speaking, mentoring younger students, and cookingWhat made Amjed such an invaluable addition to the Class of 2016? â€Å"Amjed Osman’s charismatic and humble personality, tenacious aspirations for continued success, and enthusiastic c ivic responsibility to his Fisher College of Business community are qualities that support how invaluable Amjed is to the Class of 2016.Amjed embodies academic excellence and co-curricular leadership abilities that are above par. This is evident through his professional development as a Fisher student and his innate ability to connect with the undergraduate student body, which makes him well-regarded amongst his peers, faculty, staff and alumni.†Lorraine Pennyman, M.Ed Assistant Director, Undergraduate Leadership and Engagement Office Fisher College of Business, Ohio State University Page 1 of 11

The Law Of The Music Business A Survey Of Significant...

Student’s Name†¨Professor’s Name†¨Course Title†¨Date Law in the Music Business:†¨A Survey of Significant Facets Music permeates our day to day lives. From our iPods and iPads, to elevators and trains, to the more obvious venues such as radio stations and bars, music has so seeped into the consciousness of contemporary society that it has become hard to imagine a life without it. As with any other crucial element in society, however, music in modern civilization has also been regulated by the long arm of the law. So much so that conflicts and controversies so often arise within the legal dimension of musical endeavor. In recent memory, much of the headlines in popular magazines have been devoted to these controversies. From Taylor Swift to†¦show more content†¦This is right is exactly what the Dominican singer Ramon Arias Vazquez enforced upon Colombian international pop sensation Shakira when he sued the latter for infringing on the copyright of his song â€Å"El Cata† (BBC News). A United States court has ruled th at Shakira’s song â€Å"Loca†, released as a single in the United Kingdom, broke copyright laws when it was copied off of â€Å"El Cata†. Shakira is thus guilty of copyright infringement and she must pay damages. Copyright infringement like that in Shakira’s case occurs when a song is copied, modified, or performed without authorization of the song owner or owners. If the owner – who in the present example is deemed by the law to be Ramon Arias Vazquez – did not authorize the use, and if no legal principle such as fair use permitted it, then the infringer can be sued for damages to the copyright owner. In this case, what could have been Shakira’s defense? For one, she could have proven that Ramon Vazquez did not suffer any damages. Copyright infringement greatly hinges on the fact of damages, and any owner who cannot prove damages can only seek a cease and desist action upon the suspected infringer. Another course of action Shakira could have taken would be to prove that Vazquez did not register his work with the copyright office. In any survey of UK law, it must be considered that there are a multitude of options that are made available to both plaintiff and defendant in a copyright infringement case. TheShow MoreRelatedEmotional Intelligence, Job Satisfaction, and Job Tenure Among Hotel Managers7445 Words   |  30 Pagescom/loi/whrh20 Emotional Intelligence, Job Satisfaction, and Job Tenure among Hotel Managers Kara Wolfe Hyun Jeong Kim a a b Bradley University, Family and Consumer Sciences, Peoria, Illinois, USA b School of Hospitality Business Management, College of Business, Washington State University, Pullman, Washington, USA Published online: 27 Feb 2013. 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